11/30/2023 0 Comments Canon eos r 4k crop factorThere’s also the Samyang 12mm f2.8, if you need better low-light performance and shallower depth of field from your wide-angle lens.Īnother option is to get the Viltrox EF-EOS M2 Speedbooster, which reduces the crop in 4K by 0.71x, effectively turning the M50 into a 4K Super 35 camera (or a full-frame HD camera)! Another huge benefit of the speedbooster is that you gain nearly a full stop of light. Many Canon shooters already own the Sigma 18-35 or Canon 17-55, both of which would complement the range of 10-18 perfectly. The latter gives you a field of view of 22-40mm full frame equivalent, which is perfect for general purpose filmmaking. Canons offers the EOS-M 11-22 f4-5.6 as a kit with the M50, and with the EOS-M to EF adapter you can use the excellent (and very affordable) Canon EF-S 10-18 f4.5-5.6 (which I use). Luckily ultra-wides for APS-C sensors are a lot cheaper than their full-frame counterparts. To combat the considerable crop-factor in 4K, you’ll want to pick up an ultra wide-angle lens. Below I’ll explain how to work around these limitations and how to set up the M50 for 4K filmmaking. This is mostly due to the high bitrate of 120 Mbps and the fact that there’s no pixel-binning or line-skipping in 4k. But the 4K image itself is actually very detailed and sharp, with great color and dynamic range. The M50’s 4K mode does need a little help to get good results though: the Dual Pixel autofocus is not available in 4K, and there’s an additional crop when switching to 4K. The affordable M50 even pioneered many of the features that were later implemented in the $2500 Canon EOS R! The M50 was the first camera to feature the DIGIC8 processor, eye-tracking Dual Pixel Autofocus, compressed RAW for stills, and where the audio preamps in Canon DSLRs are known to be quite noisy: the ones in the M50 are actually quite good! No more audio-levels hacks for this guy! Check out the The Canon M50 Filmmaking Guide (eBook)
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